Ashley Morrison's Blog

October 16, 2015

A lot more to it.

Filed under: Photography — Ashley Morrison @ 10:20 am
Tags: , , , , , , ,

Having recced the hotel last year…
Recce picture taken in the Atlantic View bedroom at the Galway Bay Hotel on the promenade at Salthill.
.. and having already produced some images for them to use, which I talked about here: Many hands make light work – we were back this week to shoot the various bedrooms at the Galway Bay Hotel in Salthill.

So while Marie talked to Louise and Sinéad about what she was planning on doing – Claudio began setting-up the lights…
First picture taken in the Classic bedroom at the Galway Bay Hotel on the promenade at Salthill.
.. while I set-up the camera and began to take some pictures, so as to let everyone see what the camera was recording.

The natural light was lovely – so Marie worked quickly…
Marie at work in the Classic bedroom at the Galway Bay Hotel on the promenade at Salthill.
.. but nevertheless, it still took a while to set-up – so Claudio had to hang-out of the upstairs window, after all, to add the finishing touch here…
Classic bedroom at the Galway Bay Hotel on the promenade at Salthill.
.. to the first of 6 bedrooms we were about to shoot.

So that set the standard for the rest…
First picture taken in the Classic double bedroom at the Galway Bay Hotel on the promenade at Salthill.
.. as Marie did her thing, while Claudio tried to figure out how he was going to light it…
One of the first picture taken in the Classic double bedroom at the Galway Bay Hotel on the promenade at Salthill.
.. and in the meantime Sinéad took some detail shots…
One of the first picture taken in the Classic double bedroom at the Galway Bay Hotel on the promenade at Salthill.
.. as it all came together…
Classic double bedroom at the Galway Bay Hotel on the promenade at Salthill.
.. in what I can only call ‘great teamwork’.

Because that’s what it basically was throughout the shoot – first starting with a quick shot to let everyone see the angle…
One of the first pictures taken in the Blackrock Suite at the Galway Bay Hotel on the promenade at Salthill.
.. followed by lots of looking at the screen…
Behind the scenes in the Blackrock Suite at the Galway Bay Hotel on the promenade at Salthill.
.. thinking…
Behind the scenes in the Blackrock Suite at the Galway Bay Hotel on the promenade at Salthill.
.. more thinking…
Behind the scenes in the Blackrock Suite at the Galway Bay Hotel on the promenade at Salthill.
.. and then the final result…
The Blackrock Suite at the Galway Bay Hotel on the promenade at Salthill.
.. with Sinéad acting the part to complete the story in the Blackrock Suite.

Next…
One of the first pictures taken in the family bedroom at the Galway Bay Hotel on the promenade at Salthill.
.. the family room –
One of the first pictures taken in the family bedroom at the Galway Bay Hotel on the promenade at Salthill.
.. which when light & styled looked like this…
The family bedroom at the Galway Bay Hotel on the promenade at Salthill.
.. where Teddy posed like a pro this time smile

Fresh flowers from the garden…
Marie getting flowers at the Galway Bay Hotel on the promenade at Salthill.
.. detail shots…
One of the first pictures taken in the Atlantic View bedroom at the Galway Bay Hotel on the promenade at Salthill.
.. tips from a Pro…
One of the first pictures taken in the Atlantic View bedroom at the Galway Bay Hotel on the promenade at Salthill.
.. controlling the light…
One of the first pictures taken in the Atlantic View bedroom at the Galway Bay Hotel on the promenade at Salthill.
.. and the result…
The Atlantic View bedroom at the Galway Bay Hotel on the promenade at Salthill.
.. where once again Sinéad acted the part to complete the story in Atlantic View bedroom.

Not much to it really – although when it came time to pack…
Packing the Land Rover outside the Galway Bay Hotel on the promenade at Salthill.
.. there did seem to be a lot more to it, than just taking a few quick snaps with a camera smile

Anyway, just like to say a big thanks to everyone involved here – and especially to Louise and Sinéad for all their help – from Marie, Claudio & me who now look forward to part two in a few weeks time.

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August 28, 2014

Classic

Interesting request in last week from a PR agency in England, who was looking for someone to produce some images for them to use to help them promote their client, who it seems “makes very high-quality doors for houses”… according to them.

Not sure how they came across my name, as they also asked to see my portfolio/website – but anyway, after sending them a link to it, I realised they probably wouldn’t see that many images on our website of just doors – which I assume is that they would want to see – so I quickly dug-out a few actually ‘door type images’ that I had on file, like this one…
Entrance hallway door
.. and this one…
Entrance hallway door
.. which I explained to them in an email, were images which were produced along with a set of other images those days, for mainly ‘editorial use’ in various home interior type magazines – both nationally as well as locally.

Which was basically the same market that they were hoping to target here too, with these images which they were asking me to produce and then provide them with for them and their client to use.

Also sent them this image…
Door by Hayburn Wood Products
.. which was produced almost 10 years ago, and is still being used by Hayburn Wood Products to promote the fact that they also produced beautiful doors too – to show a slightly different style, which is more ‘advertising’ like – being puncher, cleaner and eye-catching – due to a number of factors.

So in other words, I wanted them to see that even something as simple as ‘an image of a door’, could be made to look very different – which it may need to here, to appeal to her target market and get them the desired results.
Which is at the end of the day, is what it’s all about. i.e. me helping them get results.

So anyway, that all when down well and they loved what they saw – so then came the big question: How much?

Well as always, the answer is “it depends” – as there are more than 100 different ways to shoot any subject.
And so the questions at my end often are: “How good do the images need to be ?” and “How much are you prepare to spend ?”.
However, I know there is no point in actually asking a client those questions because I already know what they would say if I did, which would be: “We want them to look amazing but we don’t want to pay very much.” wink

So instead, I ask them what did they need to use the image for, as that will then help me to determine not only what they may be worth to them but also what I may have to do to ensure I get it right for them.

And in this case, they said they where needing them for PR use, as they would be sending them to the various home interest magazines (like the ones we would often submit our work to) for them to use in the “How to get the look” section – which you would often see at the end of a feature, etc.
Period of use – well forever naturally, especially if it doesn’t cost anymore – and the Territory of use would be Worldwide, especially if it didn’t cost anymore.
But it does – because producing an image which someone would actually want to use more, usually means it will need to be better and more timeless looking – which again I need to take into account – as well as, who their target market is, i.e. local people, national people or even international people – as what the style may need to be, to appeal to each of those could be very different.

So anyway, with this information on hand, I sent them through this quote…
Quote-00016856
.. to get the ball rolling here – as this is what I reckoned the minimum would need to be – both in terms of what I’d need to charge to cover my basic production costs; as well as, what they would actually be needing to use these images for too.

Which is based on what I would consider being ‘Standard use’ – that is, for me to produce and then provide them with a number of images here, that would be good enough for them to want to use in this one media for at least the next two years in throughout the UK & Ireland.

To which they relied:

“Hi happy with that but we don’t want a restriction on use.
Please can you look at that and take that off and re-send the invoice?
Thanks so much”

Classic, I thought rolleyes

So now instead of me producing some images that she may want to use for more than 2 years PR use, she now wants what exactly?

For me to produce some image here that she would want to use for in multiple media for the next 10+ years throughout the world, which would obviously cost a hell of a lot more OR for me to just take some quick pictures here that she could use if she wanted to… and stay within that budget ??

As it’s obviously the budget here, that will ultimately determine what I can or can not afford to do – which in turn will then determine how much she will actually want to use the images for afterward.

So that could be like the difference between me providing her with something like this…
Preview use only
.. or this…
One time only editorial use
.. or even this…
Multiple media use for 10+ years
.. depending on how much money I had to play with.

So, since I know I can take some quick shots for her – should she not want to spend much money – and I also know I can produce some images which she may want to use a bit more or even use a lot more (if I really ‘go for it’ and bring in a team to help me) – then what are we talking about here now !!

Or let me put it another way, for £510, for me to produce and then provide you with 4 images for you to use – which of the above 3 images do you think you would be getting from me at the end of the day, for you to use for whatever you liked?
(keeping in mind that there is at least 2 or 3 hours traveling involved here too).

In other words, what would your exceptions be here? – because I sure wouldn’t like to disappoint you and get this wrong !!

Now obviously if what they were simply just asking me to do here, was to take some pictures – and it was all sitting-up camera ready, and perfect to shoot – then no problems at all. However, after looking at the recce image that they sent me of what the door actually looked like ‘as is’ – it was very obvious to both of us, that for me to create some images here that they would actually want to use a lot, then a lot was going to be needed to be done. Otherwise, they would just end up with some images which they could use a lot but probably won’t want to use very much.

So the question for me is: What do they want me to produce and then provide them with here ? – and: How much would they be willing to pay for that ?

Well if they are only prepared to pay £510 and where wanting to use the images as much as they like, then obviously I’d need to stay within my budget and keep my costs down to a minimum – especially if I was wanting to maximize my profits.
So naturally I’m not going to want to do anything more than I would absolutely need to – because this for me, is all about making as much money as possible at the end of the day – as opposed to me wanting some really great images here, because I personally needed to use them for something.

So really, the only reason why I’d want to go the extra mile here and produce some amazing images, is if either:
(a) I needed to use them for something.
OR
(b) If I felt that would increase the value of them, i.e. the amount that others would be prepared to pay me for the use of them – because then there would be a real incentive in place.

But obviously if you remove that incentive, by saying something like: it’s a fixed fee for unlimited use, then trying to produce better images that others would want to use a lot more, all becomes very counterproductive – as this is like saying: it doesn’t really matter how good they are anymore.

That’s obviously not really a great way to work, especially for a creative person, who will naturally always want to do their best – but since I’m a ‘professional’ photographer (who is a person who takes photographs to make money, rather than an amateur, who may take photographs for pleasure and to record an event, emotion, place, without a monetary motivation) – then taking photographs to make money means, that the money side of things needs to come first – otherwise, what I’d be doing, would really be no different to what an ‘amateur’ would do.

So the question for me is: If you want me to provide you with more, how much more are you willing to pay ?

Which in this cased turned-out to be a lot more, for the same amount of money that I had quoted here.

Sorry, but that doesn’t work for me – and so that was basically the end of it – as there is simply no way I’m going to provide something that is possibly worth thousands of pounds, for just a few hundred.

So would love to hear from others here, as to how you go about handling requests like this – whereby a client specifically asks you to give them a price for one thing but then says they want you to provide them with something totally different afterward… for the same price.

January 4, 2013

From 60’s groovy…

Filed under: Work Rest & Play. — Ashley Morrison @ 1:07 pm
Tags: , , , , ,

.. to classic simplicity.

Just before the end of last year, I shot Marie’s recently renovated 60’s house for a Christmas magazine feature, in one of the national publications. So at the start of the year, we decided to shoot a few of the other rooms for smaller features on ‘How to create the look’ – to show readers what can be done.

The en-suite in her master bedroom was perfect for this – so we kicked off the New Year by shooting it.

I’ve got to say, I smiled when Marie first showed me around the house because I knew that groovy yellow bathroom suite…
ensuite1024
.. with those tiles, would be the first things to go 🙂

Having said that, it was interesting to note that she didn’t actually need to change the layout…
Ensuite in Marie and Alan McMillen's renovated 1960's home near Belfast.
.. making it therefore quite cost-effective – and I personally like the fact that it’s very simple and not too girly too…
Ensuite in Marie & Alan McMillen's renovated 1960's home near Belfast.

However, if there’s one thing I’ve learned for shooting homes, is that everyone has their own taste & style – so beauty is very much ‘in the eye of the beholder’ – and that’s what makes our job so interesting.

Anyway, once again, I loved what Marie did here…
Ensuite in Marie & Alan McMillen's renovated 1960's home near Belfast.
.. and think it will make for a very interesting feature – so all now that is left to do, is find a buyer to help kick off the New Year in style.

More to follow… but in the meantime, I’d just like to say, a very Happy New Year to everyone.

From Marie, me and the rest of the team @ ampimage.com

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